
Michelle Williams sure knows how to make people laugh.
No, not that she’s laughable on stage as she "fosse-d" but the fact that her Roxie alterego's littered with saucy and trivial punch lines, she wriggled out of it like a minx (minus the oozing sexiness), the one that's reared by a cat as a baby. Her lines delivered like that impromptu Destiny's Child Concert in-betweeners where she made the audience giggle with perfect comedic timing.
No doubt about her unique singing voice as she offered her sui generis rendition of "Roxie", "Nowadays" and “Me and my baby". Her flailing arms, trying to imitate a dance were rhythmically correct but sensibly funny and sweet more than the intended swelter of pizzazz and allure. Leigh Zimmerman playing Velma Kelly as opposite to Michelle's Roxie Hart was effectively theatrical but the fusion of pop charm that the latter provided was potent enough to fill the stage. Her facial toying resembled a perky little sweet-and-yet-sour orange to a toddler's unsuspecting mouth. Her shimmying hips, bouncing like it's the day before the dress rehearsal. But who cared (that stupid woman whose mobile made its presence known during Michelle’s act and that drunken blonde bimbo who nearly fell over as she struggled her way out of her chair surely didn’t care) about the dancing. She sang and entertained just like her glorious days as one third of that famous girl group. The giggles and gasps of the paying public were enough to gauge that sufficiency and satisfaction from paying 50 quid this recession time.
At the end of act I, few minutes after the red curtain draped the stage, Michelle had just twittered to the big www about her unscathed performance of the first act reading, “.....Who in London can tell me where a good late nite eatery is”. A pro is a pro when you see one. They let you know that neither do they think of nerves nor the major stresses that come before or after it. They just think of good times like in Michelle's case, a good eatery after the show.
Now that’s a good thought. At 10:30 pm, food is all that jazz.



